Thoughts on Collaboration with the Poulenc Trio

Creating in Covid

Well, lots of free time for folks in the arts right now! So I’ve used the time to finish Henry , the stop motion film created by Elizabeth. It's about 15 minutes long, and it has taken eight years(!) from idea to completion. Here's one of Elizabeth's very first test shots of Henry from 2012. We are going to try to get it into a couple of film festivals before we release it on the internet. We're totally green at the festival thing, but figure we've got nothing to lose. After that we'll release it on the internet. Elizabeth built all the puppets and sets, and did a lot of the shooting outdoors, which created some lighting/movement issues, but looks amazing. We can't wait for you to see it! Shooting outside, 2018.

November 2017: Music!

Flick : 1. A light, quick blow, jerk, or tap. 2. A story told through a series of continuously projected pictures and a sound track. We're saturated with images every day – photographs, movies, advertisements, games. I often wonder how many of us exist in our own minds as the main character in a film with our favorite music following us from place to place throughout the day? Barely one hundred years ago, silent films, accompanied by live piano music, introduced us to the idea of people as pictures that move and tell stories; music heightened the emotional effect, smoothed them out, moved them along. Digital technology now makes these moving pictures available on screens in our pockets. People and pictures are inextricably entwined in our culture, and music, untethered from its source, subtly underscores our every move. We seldom even think about it, it's just there. As creators of music and images, Alden and I are very aware of those t...

Making Fun

Funny : 1. intended to arouse laughter or amusement 2. suspiciously odd or curious I’ve made pictures since early childhood, and from the very beginning I delighted in making fun of everything. Premature exposure to Monty Python and the Holy Grail certainly nurtured the impulse. I tried so hard to be serious, but nature would out. In art school I did my best to be brooding and dark. Art history taught me that mankind’s greatest painting pretty much boiled down to two things: 1. Earnest religious scenes 2. Modern existential randomness. Painting was supposed to be deadly serious. Especially modern art - so VERY serious - but who wants to look at it, really? Of course there are geniuses that stand out and whose work I love, but as a whole, ugh. It’s cathartic (or profitable) for the artist, but man, so grim. When I graduated, my angst-y paintings had kind of run their course. There were only so many naked, monolithic, tortured, monoch...

Living Life With Art

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